Saturday, August 29, 2020

Full Tilt To Dilton Marsh.


It was Saturday morning and the wind and rain of the last few days had abated. I decided it was high time I got some exercise and went for a bike ride, so I pumped up my tyres and off I went. I headed up the Warminster road which I did not enjoy because of the busy traffic and stink of fumes. Also, it was mainly uphill which I do not like. I hate the pain in my leg muscles when the lactic acid kicks in. I was glad to turn off the main road onto the road to Old Dilton. Suddenly I was in the beautiful countryside cycling along a pleasant lane. “This is more like it”, I thought to myself. After a while I reached the church of St Mary and stopped to have a look.
St Mary's Church, Old Dilton.

It is a charming little 14th century church which is no longer used for regular services but is conserved by the Churches Conservation Trust. The interior is said to be perfectly preserved and of great architectural interest. On the door of the porch I saw a notice which said that if you want to have a look inside you can borrow the key from a nearby house. I considered doing that, but in the end, I just took a couple of photos and cycled on.
My next port of call was the railway station at Dilton Marsh. I wanted to see this because it is immortalised in a poem called Dilton Marsh Halt by one of Britain’s greatest poets of the 20th century John Betjeman. I love that poem, not least because it mentions Westbury in it. A friend had told me that there was a notice board on the platform with the poem on it, but I could not find it. I have put the poem at the end of this story if you want to read it. How a railway station in a tiny place like Dilton Marsh has survived is beyond my understanding, but long may it continue.
Dilton Marsh Halt.

Then I headed on towards Brokerswood. At a crossroads I came across the tiny tin church. This is a remarkably interesting little building because of its history. When the church at Southwick burned down about 120 years ago the congregation bought a temporary prefabricated tin church which they used while a new church was being built. When that was completed the tin church was dismantled and reassembled at the crossroads. A couple of services are held there every year and I think it is looked after by volunteers, which is very good of them.
Tin Church at Brokerswood.


I was getting tired by now. “That will do for today”, I thought to myself. I am 68 after all. I had one last nice little encounter on my way home. I spotted some goats looking at me from a field and stopped to take a photo. They are called Golden Guernsey’s. I know this because I got chatting with the owners. They really are nice looking goats as you can see in the photo. That made a pleasant end to my little expedition and I was glad I made the effort to get out and about on this nice Saturday morning.
Golden Guernsey Goats.
Dilton Marsh Halt by John Betjeman.

Was it worth keeping the Halt open,
We thought as we looked at the sky
Red through the spread of the cedar-tree,
With the evening train gone by?
Yes, we said, for in summer the anglers use it,
Two and sometimes three
Will bring their catches of rods and poles and perches
To Westbury, home for tea.
There isn't a porter. The platform is made of sleepers.
The guard of the last train puts out the light
And high over lorries and cattle the Halt unwinking
Waits through the Wiltshire night.
O housewife safe in the comprehensive churning
Of the Warminster launderette!
O husband down at the depot with car in car-park!
The Halt is waiting yet.
And when all the horrible roads are finally done for,
And there's no more petrol left in the world to burn,
Here to the Halt from Salisbury and from Bristol
Steam trains will return.



Thursday, August 27, 2020

All Mirrors by Angel Olsen.



The weather has been awful today, dark and rainy. I haven’t left the house all day. A huge contrast to yesterday which was a pleasant sunny day. I decided to make the most of it and caught the bus over to Warminster. You have to wear a face mask on the bus now, and half of the seats are taped off to keep people apart. I had time for a quick scout around the charity shops before I met my friend. In the Blue Cross shop I found a 1984 first edition in very good condition of Money by Martin Amis for only £1.45. I should make a nice profit on that when I sell it. Then I thought I would treat myself to a new CD. In the record shop I could not decide what to get. I almost bought a newish album by Bob Dylan or Neil Young, but I didn’t because I wanted to hear something fresh to my ears. I spotted an album called All Mirrors by Angel Olsen. I had heard one or two of her songs previously on BBC 6 Music and had heard that she had a new album coming out. I thought that this was the one, but it isn’t. The album I bought came out in October 2019.

I have played it twice today and have not decided yet if I like it or not. It might grow on me after a few more listens. The opening track is called Lark. It begins very quietly but builds to a cataclysmic ending. This album is awash with violins, violas, cellos, trumpets, synthesisers, and many other instruments, especially drums. One of my problems is that even with my reading glasses on I have trouble reading the tiny print of the lyrics in the accompanying booklet, so it is hard  to understand what the songs are about. From what I can make out, the subject matter seems to be the break-up of her personal relationships. It is all very enigmatic. I like art to be about the human condition in general, things that apply to everyone. The private lives of individuals aren’t that interesting.
 I wasn’t too impressed with the title track All Mirrors, but I quite liked the third song Too Easy which was a much simpler arrangement with just four players. New Love Cassette I also enjoyed and the cacophony of sound at the end reminded me a bit of the Beatles Day In The Life. What It Is I found to be one of the more immediately accessible songs because of its simple rhythms. Impasse is a swirling mass of sounds. I found the arrangements almost overpowering at times on this album with the vocals almost lost in the mix, especially when you are trying to understand what she is singing about.

My favourite song after two listens is Tonight with genuinely nice melancholic vocals. I liked the relentless drum sound on Summer. At times some of the music sounded almost like a movie soundtrack to me. Chance is a nice song to end the album with. Angel’s voice has a kind of 60’s pop sound on this song, especially on the third verse. I think her new album revisits a lot of these songs in an acoustic fashion. That might be a good idea because at times I felt there was too much going on to take it all in. Having said that, I might grow to love this album in time as I get more familiar with it. I will let you know if I do.
Me & Angel Olsen.





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