Saturday, December 15, 2018
Friday, December 14, 2018
Pretty Things Final Bow.
I wouldn’t claim to be a huge fan of The Pretty Things
although I remember their few hit songs in the 60’s and when I bought my ticket
for this concert a few months ago I also got their legendary album S.F.Sorrow intending to get really acquainted
with it as it came out exactly 50 years ago and I knew it would be a large part
of the night’s performance. I think the main reason I bought my ticket was that
Van Morrison was to be a special guest and I thought it would be fun to see Van
play with a different band. Also, Bill Nighy was supposed to be the M.C. for
the evening. As it turned out Bill had filming commitments and couldn’t attend.
His place was taken by Arthur Brown. I don’t think I have seen Arthur Brown
since Peterborough Cloud 9 club in 1970. The last time I went to the O2 in
London I swore I would never go back because it was too big and soulless, but tonight’s
concert was in a smaller venue inside the dome called Indigo which I hoped
would be a lot better.
In the queue outside I spotted Ivan from Northern Ireland who I hadn’t seen since a concert at the RAH a few years ago.
He told me that Alan was in the bar opposite, so I went in the Slug &
Lettuce where I found Alan & Simon & Sandra. Later on in the venue I
met Brendan from Dublin and Pamela & Chris whose faces I recognised from
previous Van gigs in London. I was pleased that I met a few Van fans. I was
glad that I had a seat as well because it turned out to be a long evening of
three sets. The first set was the present Pretty Things line-up and I really
enjoyed it because I think I knew several of the songs. I particularly liked
the playing of Dick Taylor who was actually an original member of the Rolling
Stones before he formed the Pretty Things with vocalist Phil May. This was Set
One- Honey I Need, Don't Bring Me Down, Buzz
the Jerk, Mama Keep Your Big Mouth Shut, Get the Picture?, The Same Sun, Alexander,
Defecting Grey, Big Boss Man, Midnight To Six Man, Mr Evasion.
In Set Two they were joined by Dave Gilmour of Pink Floyd
fame on guitar. This set also had previous members of the band to perform
tracks from S.F. Sorrow. This was Set 2,
Scene One, S.F. Sorrow Is Born, She Says
Good Morning, Baron Saturday, Trust, I See You, Cries From the Midnight Circus.
I was getting tired and impatient by the end of that set although most of
the audience were loving it, so I shouldn’t complain. Finally, during the third
set they were joined by Van Morrison for three songs. This was the highlight of
the evening for me and rarely has Baby Please Don’t Go sounded so good. Seeing
Van play live with a top British R&B band from the 60’s gives you some idea
of what it must have been like to see Van’s band Them all those years ago. This was Set Three, I Can't Be Satisfied, Come On in My Kitchen, Baby, Please Don't Go, I
Can Tell, You Can't Judge a Book by the Cover, Come See Me, Mona, Pretty Thing,
Who Do You Love, L.S.D.
Towards the end of that set I went downstairs to see if I
could find any of my friends. There seemed to be about eight people on stage by
now including two drummers. There was a long drum solo that I really
didn’t need by now. After that the band came back for an encore. I enjoyed
Rosalyn but then decided I’d had enough and they were closing the bar so I
left. That turned out to be a big mistake because later in the pub where I met
Alan for a last drink, he told me that Van returned to sing Road Runner with
the band & Dave Gilmour. Encore, Rosalyn,
Road Runner, Loneliest Person.
When the pub closed I wandered off to find my hotel on some
desolate corner of the Greenwich peninsula and I was pleased that I made the
effort to go and see The Pretty Things take their final bow.
THE END.
Monday, December 10, 2018
Review: Van Morrison, The Prophet Speaks
Van Morrison brought out his last album of original songs Keep Me Singing in September 2016 and
since then has released four albums in quick succession which are a mixture of
cover versions of songs by his favourite artists and his own songs. The Prophet Speaks is the latest, and to
my ears the greatest of the four. Once again, he teams up with Joey De Francesco
and his virtuoso band of Troy Roberts, Dan Wilson and Michael Ode. You
certainly get your money’s worth on this album which is seventy minutes of cool
jazz, soul & blues.
The opening track Gonna
Send You Back Where I Got You From is written by Eddy ‘Cleanhead’ Vinson
who Van obviously admires a lot, having recorded his song Hold It Right There on his previous album You’re Drivin’ Me Crazy. I particularly like the guitar playing of
Dan Wilson on this track.
Dimples is
one of the best-known songs by Van’s old friend John Lee Hooker. It was written
in 1956 but was re-released in 1964 in the wake of the UK R & B boom and
got to number 23 in the UK charts. It has been recorded by many artists over
the years and Van’s version is as good as any. The band are cooking, I love the
warm rich sound of Joey’s Hammond organ and Van on Sax & harmonica. There
are plenty of yeahs & whoops which shows Van is enjoying himself. Got To Go Where The Love Is is a new
song of Van’s and has a very radio friendly catchy sound. People like me who
like searching for meanings in the lyrics will have a hard time with this album,
but I think the reference to’ tearing down the wall of hate’ could be an
anti-Trump message. Joey is the co-producer on this album and I like the
laughter and party sounds at the end of the song which give it a very live
feel. Laughin & Clowning is
written by another of Van’s music heroes’ namely Sam Cooke. It was originally
on Sam’s album Night Beat in 1963. It
is a real shame that Sam Cooke was slain on December 11th, 1964 aged
only 33. I bet Van would have loved to have worked with him at some point.
5 AM Greenwich Meantime is another Van
original and although quite catchy is one of his lesser songs in my opinion. Gotta Get You Off My Mind is another
song by an old friend of Van’s Solomon Burke, and daughter Shana helps out on
backing vocals. Van excels himself on harp on this song. Teardrops is written by J.D. Harris, better known as Shakey Jake
who contributes three songs to this album. This is a more bluesy sound with
Joey on the keyboards rather than the organ. I Love The Life I Live is a Willie Dixon song. He actually recorded
with Shakey Jake. They were both exponents of the Chicago Blues sound. I never
knew this stuff till I listened to Van and looked these people up on Wikipedia.
It is very educational listening to Van Morrison. The next track Worried Blues / Rollin’ And Tumblin’ was
also written by Shakey Jake Harris and is six minutes of frenetic brilliance
with Van scatting away to his heart’s content.
Ain’t
Gonna Moan No More is another Van song and a highlight of the
album for me. I like the eerie organ sound which reminds me of songs like I Put A Spell On You or something like
that. It is Van the name-dropper in the lyrics of this song. He mentions Muddy
Waters, John Lee, Jon Hendriks, Satchmo and Willie The Sheik. Joey’s
trumpet is like a tribute to Satchmo and Van’s harmonica and alto saxophone is
sublime. It reminds me slightly of his playing on great albums of the 80’s like
Poetic Champions Compose. Love Is A Five
Letter Word was written by Gene Barge and all I know about him is that he
is a sax player born in 1926. In the song Love is spelled M-O-N-E-Y. Love Is Hard Work is another Van
composition which I don’t think is that great, but not to worry because Van has
saved the best for last. Spirit Will
Provide is my favourite song on the album. It is the most different of all
the songs here and most typical of the spiritually uplifting songs we associated
with Van in the past. Shana again joins in on vocals. This is a song I would
like to see Van perform live. The final song and title track The Prophet Speaks is another great
song. Van’s alto sax is again to the fore as well as Joey’s organ sound and the
delicate acoustic guitar work of Dan Wilson.
That brings to a close a most satisfying album indeed. I
hope the next album will be an album of all Van original songs but in the meantime,
I am going to enjoy listening to this collection of songs for quite a while. A
big hand for the band.
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