It was in 1992 that I first became aware of June Tabor. I bought a compilation album of folk music called Folk Heritage 2. I still listen to that album quite regularly because it is packed with great music by the likes of Richard Thompson, The Albion Band, Martin Simpson, Dick Gaughan, Martin Carthy, Nic Jones, The Watersons and many others. One of my favourite songs was a wonderful acapella version of Eric Bogle’s great anti-war song The Band Played Waltzing Matilda by June Tabor. I can’t say I paid much attention to her career after that until a Yorkshire friend of mine gave me a copy of Ragged Kingdom by June Tabor and Oysterband. It is a great album. Two tracks particularly stood out for me, the soul classic Dark End Of The Street and their version of Joy Division’s Love Will Tear Us Apart.
Two friends told me recently that June was playing in Bradford On Avon in December with a group called Quercus. I thought I’d get a ticket for that. I had never heard of Quercus, So I ordered an album by them as I wanted to know what to expect on the night. A couple of days ago Nightfall the second album by Quercus popped through my letterbox. The album was recorded just down the road from here at Coopers Hall in Frome and released in 2017 on the prestigious German ECM label who are renowned for great jazz and experimental music. The artwork on the album’s cover is by the Czech artist Jan Jedlička. He has worked with ECM on more than 40 albums. The artwork does seem to capture the melancholy mood of the songs.
I thought Quercus was an odd name for a group, so I looked up the meaning and Quercus is the name of a genus of trees including the oak tree. The album’s title of Nightfall is taken from a poem called In Memoriam (Easter 1915) by the poet Edward Thomas who was slain during the battle of Arras. Quercus are a trio of vocalist June, Huw Warren on piano, and Iain Ballamy on tenor and soprano saxophone. Huw has worked with June for many years as pianist and music director. Iain is a composer and one of the most distinctive saxophonists in world jazz. He is also a visiting professor currently at the Guildhall School of Music and Drama, Royal Academy of Music and the Royal Welsh College of Music & Drama.
The tracks on the album contain two instrumental compositions by Huw and Iain plus Bernstein & Sondheim’s Somewhere from West Side Story, Bob Dylan’s Don’t Think Twice It’s Alright, the jazz standard You Don’t Know What Love Is written by Don Raye & Gene De Paul, and six traditional folk songs. A common theme running through the song selections would seem to be of loss in various forms. You would think that the world of modern jazz and traditional British folk songs would make strange bedfellows, but I find that Nightfall is a perfect marriage of the two genres. Robbie Burns Auld Lang Syne is usually sung by inebriated groups of people on New Year’s Eve. Here it is transformed into a sparse bluesy arrangement beginning with Huw’s piano joined by June’s smoky vocals and then Iain’s sax. Once I Loved You Dear (The Irish Girl) is a 19th century lament for a lost love who is bound for America.
On Berrow Sands is an eerie warning of the treacherous tides in the Bristol Channel. The cries of the seagulls represent the souls of the sailors who have perished there. Christchurch is an instrumental composition by Huw. You Don’t Know What Love Is was originally written for a film in the 1940s but has been covered by many jazz artists from Miles Davis to Billie Holiday. June interprets it as well as anyone. I love how she puts emphasis on certain words or phrases to bring out the emotion in the songs. The Manchester Angel refers to the Angel Inn in Manchester where soldiers were recruited in 1745 to fight with Bonnie Prince Charlie as his army marched south. A soldier meets a pretty young doxy but then deserts her to join the ill-fated adventure. Dylan’s folky Don’t Think Twice It’s alright is transformed into a seven-minute sparse jazzy blues epic. When the rooster crows at the break of dawn heralds a bleak reality. You just kinda wasted my precious time is sung quite angrily by June.
Emmelene is an instrumental sax composition by Iain. The only Emmeline I know of is Emmeline Pankhurst, but I don’t know if it refers to her. The Shepherd And His Dog is like an aural sketch of a pastoral scene from early morning to dusk. The Cuckoo is a song which was collected from a Dorset gypsy singer called Caroline Hughes. It is another song of betrayal. Iain and Huw’s accompaniment to June’s vocals is perfect, almost like the song of a thrush and cuckoo in flight. Somewhere is another standard that has been covered by many people, but June manages to breathe new life into Sondheim’s words. A perfect song to bring this album to a close. I have loved listening to this music for the past few days and I’m really looking forward to seeing Quercus on December 12th in Bradford On Avon.

























