In The Garden: Part 4.

Phew, wot a scorcher! It has been unseasonably hot here for the past few days and today has been the hottest day of all. It is 30 degrees centigrade at the moment which is 86 degrees Fahrenheit. Celtic types like me don’t like it that hot. I have just come indoors to the cool of my living room. I have enjoyed sitting outside in the mornings, and especially in the cool of the evening. I love the ritual of watering the garden in the evenings, giving the plants a good soaking. Last night I was out there until it was nearly dark. It is very mindful looking upwards at the half-moon and the blue sky with just wisps of cloud and listening to a blackbird singing from the top of a neighbour’s tree. From about 9.00pm I was observing pairs of swifts darting about high up performing high speed aerial manoeuvres. For the last few weeks I have been following an ongoing dispute between a pair of blackbirds and a pair of wood pigeons who are nesting in the same tree. The blackbirds seem to be the aggressors. I think they see the wood pigeon’s large size and slow movements as a threat.

Despite the heat I have managed to get a few jobs done. I gave my pond it’s annual clean. That involved scooping out all the silt that accumulates at the bottom of the pond. I’m sure my two shubunkins appreciate their little pooliverse being a lot tidier. I think the bucketful of organic pond matter I gathered will make good fertiliser for my plants. Before the heat kicked in I also managed to paint the outside of my kitchen, and the tall wall with brilliant white masonry paint. That wall had looked very flaky paint ,and dirty with pollution. There is still a lot to do. I need to paint the window frames and my back door when it cools down a bit. My little garden is looking better by the day. The sunflowers are growing rapidly against the wall. They should look great when they flower. I’m pleased to see some marigolds from last year have returned and are in flower now. 

The clematis that I had to cut right back when I mended the fence is already shooting new stems skywards, so that is good. Down around the pond buttercups seem to have taken over. I used to dig out buttercups, but It’s a lot of hassle, so I think I’ll just leave them to get on with it. I’ll call down by the pond ‘The wild area’. My hanging baskets are starting to look good, but they won’t reach their best for a while yet. I know my little garden isn’t quite the Chelsea Flower Show, but I like pottering around in it. I’ll do another garden report before too long. Cheers.

An Evening With Emmylou.

It was in the mid 1970s that I first became aware of the music of Emmylou Harris. My friend Fred was a big fan of Gram Parsons which led me to hearing Emmylou on Gram’s Grievous Angel album. I was working at Hotpoint in Peterborough at the time. On payday after work I used to get off the bus at Bridge St and treat myself to an album in Andy’s Records. One fateful afternoon I purchased Pieces Of The Sky by Emmylou and have been a fan ever since. When I heard that Emmylou was playing in Bristol I knew I had to go, especially as it was promoted as part of her 'Farewell European Tour’. I had seen Emmylou previously at this venue in 2015 when she played with Rodney Crowell, but I had a feeling that tonight would be a lot better, especially as I was in Row C only a few feet from the stage. Also, the previous time I was at Bristol Beacon to see Cat Stevens last September I had to leave before the show ended to catch my train. I didn’t want that to happen again, so I reserved a room at the Clayton Hotel only 250 yards from The Beacon. After I checked in at 2.00pm my intention was to go for a walk around the harbour, but I started watching the horse racing on the TV in my room and fell asleep until 6.00. I had a bite to eat and a glass of wine in the hotel bar and then made my way to The Beacon.

Jim Lauderdale.

This is the third time I have been to The Beacon since its major renovation, and I must say the seats are very comfortable these days with lots of leg room. The opening act Jim Lauderdale came on stage promptly at 7.30. He looked very Country, dressed in a purple spangly suit, unaccompanied apart from his well-worn acoustic guitar. I must admit that I knew nothing about him previously although he has released 39 albums in his career and has written songs with the likes of Elvis Costello and Robert Hunter of the Grateful Dead. I enjoyed his set of songs. He is quite a humorous character. One of his songs he informed us was the first country song about artificial intelligence. He also recently released an album called Country Super Hits Vol 2 although there aren’t actually any hits on it. I particularly liked I’ve Lost You written with Elvis Costello and Trash Can Tomcat & Patchwork River both co-written with Robert Hunter. He got the audience singing along with Heading For The Hills. The final song was great, called The King Of Broken Hearts inspired by George Jones.

There was a short interval during which I went outside to get some fresh air. Then it was time for Emmylou. She arrived on stage looking wonderful, dressed in dark clothes and sporting a pair of brilliant white sparkling cowgirl boots. Her five-piece band were excellent and some of them were multi-instrumentalists. They are Brian Owings on drums, Paul Madiera on keyboards, accordion and guitar, Chris Donohue on bass, Will Kimbrough on guitars, and Eamon McLoughlin on fiddle and mandolin. (I hope I spelled their names correctly). I hope I have got the names of the songs right as well which I think were as follows. 

Jim Lauderdale joined Emmylou for the opening song Love Hurts which is one of the earliest Emmylou cover songs I ever heard. (See video below) Here I Am was co-written with Julie Miller and included on the 2003 album Stumble Into Grace. Orphan Girl is a Gillian Welch composition. Paul Madiera was splendid on the accordion on this song. Love and Happiness was co-written with Mark Knopfler, and One of These Days is a George Jones cover song. Emmylou said that when she first saw Townes Van Zandt she thought he was channelling the ghost of Hank Williams. Pancho & Lefty is one of Townes greatest songs. 

Gram & Emmy.

Red Dirt Girl is one of the best of her own songs and won Emmylou a grammy in 2000. Kern River was written by Merle Haggard. Emmylou stopped during this song and said, “I’m sorry Merle, I forgot the words”. The audience started laughing and Emmylou said, “Give me a break, I am 79!”. Then she carried on perfectly. If I Needed You is another Townes song performed beautifully with excellent violin by Eamon.  I loved Goin' Back to Harlan because it is one of my favourite Kate & Anna McGarrigle songs. Get Up John and Green Pastures are songs by Bill Monroe and Ralph Stanley that I’m not at all familiar with, but I must say the band rocked on the bluegrass numbers. Help Him Jesus was written by an English person Paul Kennedy and originally sung by Johnny Cash. Emmylou went to great lengths explaining how she came to record it. The band left the stage for the next song leaving just Emmylou and her guitar to perform The Road which was a highlight for me. A very sad song about her relationship with Gram Parsons. 

That led to one of Gram's greatest songs Hickory Wind which first appeared on The Byrds Sweetheart Of The Rodeo classic album. Tulsa Queen written with Rodney Crowell is from a 1976 album Luxury Liner, the title song also written by Gram who also wrote Wheels from her Elite Hotel album. Boulder to Birmingham is possibly my all-time favourite Emmylou song which took me right back to that album which made me a fan in the mid-70s. Long May You Run is a Neil Young song that I’ve always liked because it mentions the Beach Boys. The whole band took a bow and left the stage, but we knew they would be back. The final song was Together Again. As the audience dispersed Eamon came back on stage to collect his stuff. I asked him for a setlist so I could make sure I got the songs right, but he didn’t have a spare one. We exchanged a few words. He is actually from South London but told me that he lives in Nashville these days. Anyway, I made my way back to the hotel via stopping at The White Lion pub for a deserved pint of cider. I sat outside the pub, watched the world walk by and reflected that it had been a splendid evening. I was pleased that I had seen the undisputed Queen of Country Rock Emmylou Harris for one last time.

 

Emmylou Harris: Love Hurts. (With Jim Lauderdale)

 This is the opening song from Emmylou's Bristol concert. She is joined by Jim Lauderdale.

Emmylou Harris: Boulder To Birmingham. Bristol Beacon 15/5/2026

 I went to see Emmylou Harris at Bristol Beacon last night. I'll write a review later this weekend. In the meantime here is a song I filmed. It's one of my favourite Emmylou songs.

 

Two Nights At Bath Forum With Van Morrison.

It is now Thursday afternoon, and I’m Remembering Now the events of the past two nights in the beautiful city of Bath with Van Morrison, his band, and the street choir of Van fan friends from all over the world  that I encountered. This is what happened.  It was a sunny Springtime early evening when I got on the train for the short 20-minute journey to Bath. The green and lush countryside around Bath looks wonderful at this time of the year. I met my sister Margaret and we headed to The Cork pub on Westgate Street. There we found Theo & Dianeke, Lut, and Bart, all from Belgium. I hadn’t seen them all since Van played at Cyprus Avenue and Llangollen. It was also nice to meet Masa who had come all the way from Japan, also Mary from Devon. We sat around chatting and taking pics. Precious time was slipping away, so we all headed for The Forum. I bumped into some people I knew from Westbury and Warminster. It was also great to see John from Weston-Super-Mare who I am always seeing at local gigs. It was wonderful to meet Treve and his wife from Luton who I last saw at Westonbirt Arboretum in 2024. It was five minutes to showtime, so I told Margaret to take her seat while I nipped to the loo. While I was in there, I suddenly heard Van singing Into The Mystic. “Oh no, he has started early”, I thought to myself, and hurried to my seat in Row B.

Dianeke, Bart, Mary, Lut, Theo,Masa. 

Into The Mystic is one of the best songs ever written by anyone. What a great start to the show. The 8-piece band Van had assembled was packed with great musicians. David Hayes on bass has played with Van on and off for about 55 years. Another American Bobby Ruggerio had also returned on drums. Matt Holland on trumpet and saxophone maestro Leo Green were also making a welcome return. Regular band members Dave Keary on guitar, John McCullough on piano & keys, Sumudu Jayatilaka and Jolene O’Hara backing vocals made up this talented ensemble. Sumudu in particular impressed me tonight. She is emerging as one of Van’s best backing singers since the days of Katie Kissoon. I am not all that enamoured with the next three songs which are from Van’s recent blues album Somebody Tried To Sell Me A Bridge. They are Snatch It Back And Hold It, Play The Honky Tonks, and Madame Butterfly Blues a song which Van is keen to tell us was written by Dave Lewis from Belfast. Even if they aren’t my favourite songs, I can’t deny that they were expertly performed, Dave Keary was great as ever on guitar. Van at 80 not out still has a great voice, and he is in good humour these days, no hint of grumpiness at all, laughing and clowning with the band, and by his standards quite chatty with the audience. The next song I loved, and when the lyrics are written by WB Yeats you can’t go wrong. It is Crazy Jane On God. Van blew some mean harp on that one. 

Precious Time was next up. Some people don’t like this song, but I do. It happily bops along as Van reminds us that we’re all going to die someday. Van has recently cheered the lyrics up a bit by changing them to ‘Precious Time is holding sway’. Dave switched to pedal steel guitar on this song. Back To Writing Love Songs, The Only Love I Need Is Yours, and Once In A Lifetime Feelings are all from Van’s Remembering Now album which I consider his best album this century. However, I don’t think these are among the best songs on the album, not by a country mile. The Only Love I need Is Yours with Dave on acoustic guitar is a nice love song and the best of the three. I find some of Don Black’s lyrics quite cringeworthy. You feel sorry for the backing singers having to repeat lyrics about ice cream stands. Spare me please. Van is fifty times better as a songwriter than Don Black could ever hope to be. An extended Ain’t Gonna Moan No More was excellent, Leo on sax nearly blowing the roof off the building. This was followed by a highlight for me, a tribute to Sam Cooke and Ray Charles which was Laughing & Clowning and The Nighttime Is The Right Time. 

Sumudu.

When Sumudu joined in duetting with Van she was astoundingly great. Her contribution brought huge spontaneous warm applause from the Bath audience. These Dreams Of You from the Moondance album was a welcome addition to the setlist which I furtively managed to film, successfully dodging the eagle-eyed security people. Down To Joy from the Belfast film was great as ever. Real Real Gone was another highlight which Van took to the bridge by segueing into You Send Me, and I am sure I heard a snippet of Wonderful World in there as well. Van then slung on his electric guitar for a modern Van classic which is Green Rocky Road from his Moving On Skiffle album. It was great with Van adding new words at the end with ‘Spinning & turning, living & learning’. The audience loved Moondance, but I’ve heard it too often. I knew the show was coming to an end when Van sang the predictable Help Me. The whole audience were on their feet for Gloria. Van left the stage to make a sharp exit from the building as the band played on. By the time they stopped playing I was already outside on the pavement. When all our friends emerged we agreed it had been a very enjoyable concert with Leo and Sumudu the best of the band. Me, Margaret, John, and Mary had a quick last drink in the Royal Hotel bar and then Margaret and me caught the 10.40 train home. What a great night it had been.

The next afternoon it was sunny, but very windy. I thought it was going to blow my hat off. I was tired as well and didn’t fancy the 20 minutes’ walk to the train station. Luckily a bus came along and I hopped on it. I was in Bath by 5.00 and met Fumiko in Café Nero, and then we walked to The Cork. Theo, Dianeke, and Lut were already there, and It was nice to see Peter and Kathryn and their family. Then Jane from Oxford strolled in. It’s always a pleasure to see Jane. Finally, Miquel from sunny Spain arrived with a friend of his. I think I hadn’t seen Miquel since Van played at the Eden Project quite a few years ago. Time hurried on and we made our way to The Forum. In the queue I met an American lady called Hadley who gave me a nice message from Stu & Michelle in San Diego. Jane took my picture by the Van poster in the window. I tried to take one of her, but it never came out, sorry Jane. Inside the Forum it was great to see Gaynor and her friend from Cardiff. I hadn’t seen them since I met them by chance in Cyprus Avenue 11 years ago. I made sure I was in my seat in Row A before 8.00 tonight. 

Dianeke, Lut, Jane.

I can’t be bothered to tell you all the songs from night 2, because it was pretty much the same songs as before, but in a different order.  I’ll just tell you about the three different songs in the setlist. The opening song was Dweller On The Threshold from 1982’s Beautiful Vision. Matt deserves a mention for his trumpet playing on this song. Little Village was a highlight of night 2. It’s a song that was underrated when first released, but in live performance is epic with Van adlibbing about coming from the island of saints, and the church of Saul. It was almost impossible to take photos or film on night 2. The security were telling lots of people to put their cameras away, so towards the end of the show I moved to the back of the hall to try and get some pics. I filmed about a minute of Into The Mystic, but it wasn’t very good. Early In The Morning was another change to the night before. It’s not a favourite song, but live it gives the band a chance to show their skills. After the show I think we all agreed that Van and the band performed brilliantly, but it didn’t quite reach the heights of night 1 because Sumudu didn’t get the chance to exercise her tonsils as much as the night before. Anyway, we all said goodbye and went our separate ways. I hope we meet up again before too long. After a well-deserved last pint of cider, I caught the 10.40 train and that was that. Thank you Van for two great nights in Bath, and don't leave it so long before returning!. 

THE END.

The Beautiful City Of Bath.

Van Morrison: These Dreams Of You, Bath Forum 28/4/2026

 Van & his band were on great form in Bath last night. I'll write a full report tomorrow after night 2.

 

Remembering Sandy Denny.

Britain's greatest folk-rock singer Sandy Denny died on this day April 21st in 1978 aged only 31. Her daughter Georgia Rose Lucas has just made this wonderful film of Sandy's haunting and ethereal  song about Mary Queen of Scots called  Fotheringay. It originally appeared on Fairport Convention's 1968 album What We Did On Our Holidays.