When I first heard a few months ago that Van Morrison’s
next release would be a Blues album I was a bit wary because I have sometimes
been disappointed in the past when Van has made albums in only one genre of
music. What drew me to Van’s music in the first place was that it was a melting
pot of jazz, blues, soul, gospel, folk, country, rock, with a large helping of
Celtic mysticism and spirituality stirred in to make something that was
uniquely Van Morrison. However, when I saw Van at the Eden Sessions in Cornwall
in July and he played four of the songs live I thought, “Hey, this isn’t bad”.
I was particularly taken with one song called Transformation and I thought if there were a few more songs as good
as that on the album then it would be fine. Last Friday I picked up the album Roll With The Punches at my local record
store and the first thing to say is that I don’t like the cover design all that
much. It is a bit brutal and not the sort of image I conjure up when listen to
Van’s music. It is a photo by Richard Wade and depicts a boxing match between
Phil Townley and Willie Mitchell that took place on 29th April 2016.
If you are interested, Mitchell won after six rounds. I expect I’ll get used to
the cover and it is the music that is important after all. It’s Wednesday now
and I haven’t written a review until today because sometimes in the past I have
written glowing reviews of albums and then got quickly bored with them. With
this album the reverse is true. I like the album more with every play. Let’s
have a look at the songs.
Roll
With The Punches.
I really like the opening track, ever since I first heard
it down in Cornwall. The name that immediately came into my head on hearing it
was Muddy Waters. I think Muddy would have enjoyed singing this song. Van wrote
it in collaboration with Don Black which is quite amazing because Don Black is
usually associated with James Bond themes and that sort of thing. There is some wonderful guitar on this track by Jeff Beck who plays on several tracks on this
album.
Transformation.
I love this song and it has lots of airplay in
Britain. When I first heard it I thought, “That’s not blues”. Some fans have
said that it is very derivative of earlier Van songs such as Why Must I Always Explain but I don’t
think that matters. Lots of his songs remind you of earlier work. Tupelo Honey sounds a bit like this song
to me as well. The lyrics are very spiritual which made me think that the song
might have been inspired by Krishnamurti who was quite an influence on Van in
the mid-80’s. Van also visited the Krishnamurti headquarters in California on a
recent trip ( See picture) Krishnamurti was always going on about
Transformation. However, Van even more recently has been visiting a centre
called Agape so that might have inspired the song as well. Anyway, I think it’s one of the best Van songs of recent years. Great guitar play by Jeff Beck. Does it fit in with the rest of the
album though?. Maybe it could have been saved for a more typical Van album.
I Can
Tell.
This is a Bo Diddley song that I first heard at Nell’s club
in London back in February. Chris Farlowe features on backing vocals. I don’t
know why though, the two times I have seen the song performed live Van seems to
have managed quite adequately on his own. Dana & Sumudu are all the backing
singers I need. The song drives along at a frenetic pace with great guitar,
harmonica and piano.
Stormy
Monday / Lonely Avenue.
A medley of two songs that Van has visited before in his
career. Chris Farlowe guests on this track as well and has a major share of the
vocals. He actually recorded this song himself in the mid-60’s under the name
Little Joe Cook. I think that Jeff Beck’s guitar playing is the salvation of
the track. In my opinion this album has the best guitar sound since the days when
Mick Green used to grace Van’s albums.
Goin’
To Chicago.
This Count Basie number begins with some tasteful bass
playing by Chris Hill and Van’s harmonica before Georgie Fame’s vocals. The
song has a very rich warm sound, ideal for late night listening with a nice
glass of wine.
Fame.
This song was previously on Van’s What’s Wrong With This Picture album and has never been a favourite
with the fans. Van must have decided we weren’t listening properly and has
re-visited it as a duet with Paul Jones. I must say I prefer this version to
the original and I like the harmonica playing. Also, I see the song in a new
light now after Van discussed the meaning of the song with Paul on the Paul
Jones radio show on BBC Radio 2 on Monday night. Van elaborated on the dangers
of fame and how it can destroy people and gave Amy Winehouse as an example. I
see James Powell is credited on drums. He is Georgie Fame’s son. Georgie’s real
name is Clive Powell. Also I see that this is the only track featuring Van’s
regular bass player Paul Moore. I wonder why that was. I wonder if Van is aware
that David Bowie and John Lennon also recorded a duet called Fame on Bowie’s
Young Americans album. I expect he is.
Too
Much Trouble.
Van told Paul Jones on his show that he found the lyrics to
this song in his car one day and thought he ought to finish the song. There is
some nice piano playing by Jason Rebello. He was a regular in Jeff Beck’s band
for a number of years so maybe Van discovered him through the connection with
Jeff. I’m glad Van did finish the song because I really like it.
Bring
It On Home To Me.
One of the stand out tracks on the album. Van recorded a
stunning version of this Sam Cooke classic on his Too Late To Stop Now album which I rate as the greatest live album
of all time. This new version doesn’t improve on that but is still very
enjoyable. It has a very live feel to it with Van clearly enjoying himself,
ad-libbing and encouraging Jeff to extend his guitar solo. I love the sound of
Dana & Sumudu on backing vocals as well, they are like a heavenly choir. I
hope this song becomes a staple of Van’s live setlists in the future.
Ordinary
People.
This song was originally recorded by Van way back in 1971
but not released until 1998 on the Philosopher’s
Stone album. I don’t know why Van has revisited it now. The subject matter
is similar to Fame so I wonder if he
is trying to tell us something. I see Stuart McIlroy plays some great piano on
this track. I first saw him play with the band at the Eden Sessions. Chris
Farlowe also features on this song but I don’t think he adds much to it. Jeff’s
guitar figures large as well. Laurence Cottle plays electric bass on this and
most of the tracks. Maybe Van preferred him to Paul Moore because he also
plays trombone, a talent Van put to good use on some other tracks.
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| Sister Rosetta Tharpe |
How
Far From God.
A song by Sister Rosetta Tharpe, The 'godmother' of rock n
roll. I must admit that It is only recently I have become aware of how great
she was after seeing some videos on youtube. Stuart McIlroy makes his presence
felt again with his piano playing. A very lively enjoyable song.
Teardrops
From My Eyes.
This is a great song written by Rudolph ‘Rudy’ Toombs. It
was also a big hit record for Ruth Brown. I see Pete Hurley plays bass on this
track. He is a member of The Red Hot Pokers who used to play with Van back in
the early 2000's. There are also other members of the Pokers on this album. At first I found
it hard to think that Van had got back together with them after all these years
which made me think that some of the basic tracks of some songs had been in
the can for a long while and Van had taken them off the shelf, dusted them off
and reworked them for this album. Not that there is anything wrong with that. I have changed my mind though. It seems that Van really has gone back in the studio with his old Poker friends. I think Start McIlroy and Elizabeth Jane Williams who sings on one track might come from the Cardiff area as well.
Automobile
Blues.
A song originally by Sam Lightnin’ Hopkins. This is very
much a Red Hot Pokers song with Ned Edwards playing some neat harmonica. Ned
& Pete Hurley are still Pokers to this very day. Colin Griffin on drums isn’t
though, which made me think that this track apart from Van’s vocals was
recorded a long time ago. I don't think that any more. It's a brand new song.
Benediction.
We all know how much Van admires Mose Allison even to the
point of recording a whole album Tell Me
Something of Mose’s songs. This is a song that Van has returned to his repertoire
in recent years. I love Van’s sax playing and the humorous lyrics ‘Thank god
for self-love’.
Mean
Old World.
This song was written by somebody else who Van really
admires as well, namely Little Walter. He actually befriended Van when they
were both in London in the early 60’s and showed Van a few tricks on the
harmonica. Another song that I thought had come down off the shelf but I have changed my mind about that.
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| Muddy Waters, Little Walter, Bo Diddley. |
Ride
On Josephine.
Originally recorded on the album Bo Diddley Is A Gunslinger
in 1960. A great song to end the album on. I see Ned plays guitar on this song
and to his credit does a really great job. Dave Keary plays this really well in
the present day when Van performs it live. If Van had released this song with
Them back in the 60’s I’m sure it would have been a top ten hit.
Well, that is the end of my review. I think it is a very
enjoyable satisfying album indeed. It shows that Van is still in good voice and
fine form even at the age of 72. There aren’t many other singers of his age who
can say that. It also shows Van having some fun which he told Paul Jones was
the idea of the album and he has certainly achieved that. A big hand for Sir Van
Morrison !
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| Me Rolling With The Punches ! |
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| Transformation. |
