A terrible beauty is born’ are words from a poem Easter, 1916 by W. B. Yeats describing the poet's torn emotions regarding the events of the Easter Rising in Dublin which began on Easter Monday, April 24, 1916. Those prophetic words of Yeats must have inspired artist Martin Gale to produce a painting called A Terrible Beauty. When Christy Moore saw Martin’s painting, he knew that he had found a title for his new album and a design for the sleeve. The painting is very striking, but also ominous and threatening, like the world we live in today, with the wars in Gaza and Ukraine and other problems in society which Christy confronts on this album. However, I’m pleased to see there is still time for joy and humour among these 13 tracks. Reading the sleeve notes I see that the album is dedicated to his friends Tommie Gorman and Vince Power. I don’t know a lot about Tommie, but I had the pleasure of meeting Vince on a couple of occasions at Nell’s Club in London and agree with Christy that he was a great man.
The outstanding opening song is Boy In The Wild which is a collaboration between Christy and the late Wally Page who Christy worked with for 45 years. Christy made only the second ever video of his career to accompany this song. You can find it below if you scroll down. It is a brilliant little film which explores the sometimes-distant relationship between fathers and sons, but at the end of the day the son can rely on his dad because he had similar experiences himself in his youth. When I opened the package from Claddagh I was pleased to find a lyric sheet print of this song signed by Christy himself. Mike Harding has introduced me to some wonderful music over the years on his late lamented show on Radio 2. I especially remember the time he played a request for me by Vinnie Kilduff from Kiltimagh, and Mike waxing lyrical about his Mayo friends.
Christy here reads a lyric of Mike’s called Sunflowers inspired by the war in Ukraine. It is from Mike’s book The Lonely Zoroastrian. I have mentioned in previous reviews of Christy’s work what a great spoken word voice he has. It is 40 years now since I bought my first Christy album Ride On and his voice is as good as ever. One of the best things about being a follower of Christy Moore is that he leads you to discover new music. I had never heard of a band called A Lazarus Soul before this album, but Christy has included two songs written by their singer Briany Brannigan called Black & Amber and Lemon Sevens. I think the Black & Amber must refer to a pub because the song is about the dangers of alcohol dependence which Christy knows all about. Christy stopped drinking decades ago thankfully and his career has blossomed ever since. I had never heard of the term Lemon Sevens before. I wonder if it is derived from the sedative Quaalude made by the Lemmon Company of Sellersville, Pennsylvania? No matter, it is a harrowing tale of drug dependency, homelessness and the people we often see wandering lost in the centre of big cities.
These two songs made me curious about A Lazarus Soul which led me to ordering their latest album No Flowers Grow In Cement Gardens. I’ll tell you all about that when it arrives. Broomielaw is the name of a major street in Glasgow. It is also the name of a wonderful traditional song that Christy learned in 1964 from Mick Moloney later of The Johnstons who I have written about previously on this page. Mick Blake is another singer-songwriter who I discovered thanks to Christy. Cumann Na Mna is a song of Mick’s that Christy added to. It is a hilarious catchy retort to Rob Wotton of B Sky B who suggested to Irish footballer Chloe Mustaki that the team needed educating.
Chloe Mustaki |
Ann Lovett |
This album is a fine addition to Christy’s great body of recordings. The voice is still in top condition, and he continues to find meaningful thought-provoking songs for us to listen to, so long may he continue. Also, don’t forget his companeros Gavin Murphy, Jimmy Higgins, Cathal Hayden, Seamie O’Dowd, Sean Og Graham, Andy Moore, Martin Leahy, James Blennerhassett, Oisin Murray and everybody else who contributed to producing this wonderful work.