I have known about Iggy Pop since the 1970s, but
never had any interest in listening to his music, not even when he was
associated with David Bowie who I admired a lot. I thought Iggy was a bit of a
lunatic who became famous due mainly to his crazy antics on stage. However, In
recent years I have grown to like him as a person, mainly due to his excellent radio
show on Friday evenings on BBC 6Music. Iggy has played some great music that I
would never have got to hear only for him. He also has a great voice for radio.
I rate him alongside Bob Dylan as a musician who has tried his hand at radio
presenting. I still do not think I would have gone so far as to buy an album by
Iggy though. A couple of weeks ago a friend of mine Colin who is a huge
fan of Iggy Pop and has most of his work gave me a copy of Iggy’s most recent
album called Free. Colin had discovered that he had accidentally bought
it twice. I played it for the first-time last week when me and Curly went out
for the day. I really liked it. The album is nothing like what I had expected
from Iggy Pop. I have been playing it again this morning, so I thought I would
tell you about it.
It is called Free because that is how Iggy wanted to
feel. He was feeling drained from touring and wanted to get away from what was
expected of him. As a fan of other people’s music, he wanted guitarscapes
instead of riffs, and wanted space in his music. Also, he wanted to get away
from the ‘effluent of his own mind’ and interpret the poetry of others. Iggy
only contributes towards the composition of three tracks on this album, but it
is his vocals throughout. The principal collaborators are Leron Thomas whose
trumpet playing, and keyboards are a dominant sound and guitarist Sarah
Lipstate whose professional name is Noveller. The title track Free opens the album with just Iggy’s
great vocals accompanied by trumpet and a dreamy soundscape of guitars. Love’s
Missing was written by Iggy and Leron and features bass and guitar by Aaron
Nevezie and Chris Berry on drums. The next track is called Sonali.
I did not know what that meant, so I looked it up and it is a Bengali girl’s
name. This track is awash with piano and synthesisers by Kenny Ruby. The bass of Robin Sherman introduces James
Bond, the catchiest of all these songs and the lyrics are quite humorous.
It was released as a single I believe. The trumpet introduction to Dirty
Sanchez gives it the feel of a spaghetti western. It is written by Leron
Thomas who wrote most of these songs. Glow In The Dark features moog
synthesiser and keyboards provided by Florian Pellisier. Page has a more
stripped back sound of just Iggy, Aaron and Leron.
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Lauren Laverne & Iggy. |
The final three tracks are my favourites on this album which
develops into a poetry reading with musical accompaniment. We Are The People
was written by the late great Lou Reed. Iggy discovered it in a book
of Lou’s poetry and related to Lou’s view of their country. It is just Iggy
reciting the words, with trumpet and keys. Do Not Go Gentle Into That Good
Night is arguably the most famous work of Dylan Thomas, published in
1951. Iggy’s reading of it is sublime, and the accompaniment is perfect. The
last track is called The Dawn and Iggy himself wrote the words. Because
of the subject matter in the lyrics, I wonder if it is his response to the
Dylan Thomas poem? I do not know, but the words are great. Iggy is 74 now and
this album shows that he has no intention of going gentle into that good night.
I am pleased that Colin gave me this CD because I have enjoyed listening to it
very much indeed and it has totally changed my view of the one and only Iggy
Pop.