Somebody Tried To Sell Me A Bridge by Van Morrison.

There was once a fraudster in New York who sold real estate, (Sounds familiar!). His name was George C Parker (1860-1937) who sold public buildings that he didn’t own to gullible people. His most famous exploit was selling the Brooklyn Bridge. The scam was only discovered when the new ‘owners’ opened toll booths at the bridge to recoup their investment. George ended his days with a life stretch in Sing Sing prison. His memory lives on with a saying about gullible people, ‘If you believe that, then I’ve got a bridge to sell you’. It also gave Van Morrison the title track of his new album of Blues music Somebody Tried To Sell Me A Bridge. It is the third release on Van’s Orangefield label after the excellent Beyond Words and Live At Orangefield. Van created the label to release non-mainstream archive material that wouldn’t otherwise be released on a major label.  

The sleeve design is interesting because if you look at the shadow of the musician depicted on the cover you will see that he has a tail. I guess this tells us to expect blues music because amongst conservative Christian fundamentalists in America in the early 20^th century blues music was known as ‘The Devil’s music’ as it was associated with juke joints, speakeasies, brothels, alcohol and gambling. There are twenty tracks in all, mainly blues covers with just four tracks written by Van and one by John Allair. 

Buddy Guy & Van plaque.

At nearly eighty minutes of music, you are certainly getting your money’s worth. Van’s regular touring band are mainly absent from this collection of songs, but he is joined by many illustrious blues friends such as Taj Mahal who Van has worked with many times. Taj adds excellent harmonica and vocals to four tracks including the politically incorrect Delia’s Gone which I remember Johnny Cash singing at Glastonbury in 94. 

Taj, Van, Mitch.

Elvin Bishop who I mainly know from the song Fooled Around and Fell In Love plays guitar on five tracks. There is a great video of Van and Elvin from 1977 performing Domino (See video below). Buddy Guy is still going strong at 89. You may remember that it was Buddy who unveiled the plaque on Van’s former house on Hyndford Street. I don’t think Van was very pleased about that at the time but seems to have got over it now. I love Buddy’s guitar playing and vocals here on I’m Ready and Rock Me Baby. You can see Buddy make a cameo appearance in the recent multi-Oscar nominated film Sinners. John Allair who has played piano and organ on many great Van albums contributes (Go To The) High Place In Your Mind. 

Elvin & Van 1977

I hadn’t heard Anthony Paule until recently, but he plays some excellent guitar on this album, and I think the backing singers here Omega Rae, Nona Brown and Larry Baptiste are members of his band.  Dave Lewis like Van is also from Northern Ireland. He played piano on the Magic Time album and wrote Madame Butterfly Blues featured on this album. Mr ‘Boogie Woogie’ Mitch Woods plays piano on twelve of the tracks. Eddie ‘Cleanhead’ Vinson whose songs Van has recorded previously wrote the first two tracks. Other songs were written by such luminaries as Junior Wells, John Lee Hooker, Fats Domino, Sonny Terry & Brownie Magee, Leadbelly, Willie Dixon, Blind Blake, BB King, and Marie Adams who wrote Play The Honky Tonks. I had never heard of Marie Adams, so I just looked her up and found that she sang the original version of Ma, He’s Making Eyes At Me which gave Lena Zavarone a number one hit in the UK. 

John Allair

If I had to choose a favourite song here, I think it is Van’s version of Fats Domino’s Ain’t That A Shame. I can’t fault this album. It is just what I expected when I ordered it. Van’s voice and sax playing are as good as ever, although the four tracks he wrote himself aren’t among his best compositions in my opinion. The musicianship of the players is excellent. I think the problem for me is that I’m not the world’s greatest blues fan. My initial enthusiasm to hear the songs began to wane after a while and I found they began to sound a bit samey to me. Don’t let me put you off though. I know a lot of music fans who are steeped in the blues will love this recording and find it a very valuable addition to Van’s great body of work