When I got home from Warminster this afternoon, I was
pleased to see the postman had delivered a CD. It is Safe At Anchor by Kate Wolf. I stumbled across Kate Wolf’s music late
one night just before Christmas on youtube, liked what I heard and ordered an
album on the spur of the moment. I didn’t know anything about her. On Wikipedia
I discovered that Kate Wolf January 27, 1942 – December 10, 1986 was an
American folk singer and songwriter. Though her career was relatively short,
she had a significant impact on the folk music scene, and many musicians
continue to cover her songs. Her best-known compositions include "Here in
California," "Love Still Remains," "Across the Great
Divide," "Unfinished Life," and "Give Yourself to
Love." Her songs have since been
recorded by artists such as Nanci Griffith and Emmylou Harris (whose recording
of "Love Still Remains" was nominated for a Grammy Award in 1999). Sadly
Kate died in 1986, at age 44, after a
long battle with leukemia. I listened to the album twice this afternoon and I
like it a lot. She has a beautiful voice and I love the playing of the other
musicians instruments such as piano, mandolin & accordion. It takes a while
to get really familiar with an album but after two listens I think my favourite
songs are Early Morning Melody and Two Way Waltz. If you scroll down you
can hear a song by Kate Wolf. It is a real shame that she died at such a
relatively young age before her fame had grown.
Monday, January 07, 2019
Sunday, January 06, 2019
Strawbs and Sandy Denny - Sail Away To The Sea
My favourite female singer of all time Sandy Denny was born 72 years ago today. This is an early song that Sandy recorded with The Strawbs.
One Sweet Day. (When Fairport Convention Played In Peterborough.)
It's Sandy Denny's birthday today. She was born on January 6th 1947. Sadly Sandy died at the early age of 31 but her legend continues to grow. To mark the occasion I thought I would dust off this story that I wrote a while ago. .............
There was a time from about 1969 to 1971 when Fairport Convention were my favourite band. Up to that point my music taste was American, mainly the Beach Boys but I started going to Peterborough Folk Club in 69, went through a period of transition and entered my folk-rock era. I discovered the album What We Did On Our Holidays. This was followed by Unhalfbricking, Liege & Lief, Full House, Angel Delight and Babbacombe Lee. After that I began to lose interest in Fairport. I think that was because the two people I really admired in the band who were Sandy Denny and Richard Thompson had departed. Another reason was that I entered my Van Morrison period which has lasted to this very day. However, in the last few years my interest in Fairport has been rekindled, mainly due to seeing them live a few times and enjoying their last two albums Myths & Heroes and 50:50. They are a great live band and still producing splendid new music. Also, they are nice people who take the time to talk to the fans at the gigs as I have discovered at the Cheese & Grain In Frome in the last few years.
There was a time from about 1969 to 1971 when Fairport Convention were my favourite band. Up to that point my music taste was American, mainly the Beach Boys but I started going to Peterborough Folk Club in 69, went through a period of transition and entered my folk-rock era. I discovered the album What We Did On Our Holidays. This was followed by Unhalfbricking, Liege & Lief, Full House, Angel Delight and Babbacombe Lee. After that I began to lose interest in Fairport. I think that was because the two people I really admired in the band who were Sandy Denny and Richard Thompson had departed. Another reason was that I entered my Van Morrison period which has lasted to this very day. However, in the last few years my interest in Fairport has been rekindled, mainly due to seeing them live a few times and enjoying their last two albums Myths & Heroes and 50:50. They are a great live band and still producing splendid new music. Also, they are nice people who take the time to talk to the fans at the gigs as I have discovered at the Cheese & Grain In Frome in the last few years.
Recently I saw that a new biography of the band had been
published so I sent off for a copy which arrived a couple of weeks ago. It was
signed by the author Clinton Heylin. I don’t like him very much because he
wrote a biography of Van Morrison quite a few years ago which I took exception
to because of his sarcastic comments. I don’t like this Fairport book all that
much either. Maybe the band should write their own autobiography to put the
record straight. There was one thing though in the book which made me sit up
and take notice.
On page 62 I read that Sandy’s second ever gig with
Fairport Convention was supporting John Mayall’s Blues Breakers and Donovan at Whittlesey
near Peterborough on June 2nd 1968 almost exactly 50 years ago. If
only I had discovered Fairport a year earlier than I did, I could have seen
them on my own doorstep. Mind you, I was only 16 at the time so I probably
wouldn’t have been allowed to go. Although I have seen Fairport many times over
the years I never saw them when Sandy was in the band. This particular two day
event was organised by the same people who a year earlier had put on an event
at Spalding Nr Peterborough featuring Jimi Hendrix, Pink Floyd, Cream, and
Geno Washington & His Ram Jam Band !. Imagine seeing all that lot in one
day for £1. What really intrigued me reading Heylin’s book though was when he
said that a tape of Fairport’s gig was in existence.
“I want a copy of that tape!”, I thought to myself. Not
only was it recorded in my home town, it is also the earliest ever known live
recording of Sandy Denny singing with Fairport and only two weeks after she
joined the band. An important historical document. Thanks to the good old
internet I was able to do some research. I discovered that the recording had
been made on a Telefunken cassette recorder by a member of the audience called
Anders Folke. It lay in his attic for 30 long years before it was transferred
to cd and bootleg copies began to circulate. I expect this tape is well known
to hardcore Fairport aficionados but not to me until today. After a bit more
googling I found a site called ioffer where
someone had a copy for sale.
The cd popped through my letterbox this morning and I
immediately slammed it into the music machine. The sound quality is quite poor,
but I was expecting that. To save his batteries Anders had also stopped
recording between songs so there is no talk or introductions by the band.
Listening to the music you wouldn’t think that this group in less than two
years would invent a whole new genre of music, namely British Folk-Rock. On
this recording which is only seven songs in just over twenty minutes the band
sound like a bluesy loud rock band. Richard Thompson’s excellent guitar playing
is apparent though and Sandy’s wonderful vocals. There are no original Fairport
songs. It is almost all covers of American singer-songwriters. I can see why
someone described them in their early days as the British Jefferson Airplane. If
I had to choose, my favourite song is Sandy singing You Never Wanted Me, written by her boyfriend Jackson C. Frank.
Although the CD is very short with poor quality sound I am
really pleased that I discovered it and finally heard Fairport Convention fifty
years after they played in my home town of Peterborough. Thank you very much
Anders Folke for making this historic recording back in the mists of time all those years ago.
Thursday, January 03, 2019
Neil & Pegi Young - Comes a Time - Neil Young's Bridge School 2013
Very sorry to hear that Neil Young's former wife Pegi has died aged 66.
Saturday, December 15, 2018
Friday, December 14, 2018
Pretty Things Final Bow.
I wouldn’t claim to be a huge fan of The Pretty Things
although I remember their few hit songs in the 60’s and when I bought my ticket
for this concert a few months ago I also got their legendary album S.F.Sorrow intending to get really acquainted
with it as it came out exactly 50 years ago and I knew it would be a large part
of the night’s performance. I think the main reason I bought my ticket was that
Van Morrison was to be a special guest and I thought it would be fun to see Van
play with a different band. Also, Bill Nighy was supposed to be the M.C. for
the evening. As it turned out Bill had filming commitments and couldn’t attend.
His place was taken by Arthur Brown. I don’t think I have seen Arthur Brown
since Peterborough Cloud 9 club in 1970. The last time I went to the O2 in
London I swore I would never go back because it was too big and soulless, but tonight’s
concert was in a smaller venue inside the dome called Indigo which I hoped
would be a lot better.
In the queue outside I spotted Ivan from Northern Ireland who I hadn’t seen since a concert at the RAH a few years ago.
He told me that Alan was in the bar opposite, so I went in the Slug &
Lettuce where I found Alan & Simon & Sandra. Later on in the venue I
met Brendan from Dublin and Pamela & Chris whose faces I recognised from
previous Van gigs in London. I was pleased that I met a few Van fans. I was
glad that I had a seat as well because it turned out to be a long evening of
three sets. The first set was the present Pretty Things line-up and I really
enjoyed it because I think I knew several of the songs. I particularly liked
the playing of Dick Taylor who was actually an original member of the Rolling
Stones before he formed the Pretty Things with vocalist Phil May. This was Set
One- Honey I Need, Don't Bring Me Down, Buzz
the Jerk, Mama Keep Your Big Mouth Shut, Get the Picture?, The Same Sun, Alexander,
Defecting Grey, Big Boss Man, Midnight To Six Man, Mr Evasion.
In Set Two they were joined by Dave Gilmour of Pink Floyd
fame on guitar. This set also had previous members of the band to perform
tracks from S.F. Sorrow. This was Set 2,
Scene One, S.F. Sorrow Is Born, She Says
Good Morning, Baron Saturday, Trust, I See You, Cries From the Midnight Circus.
I was getting tired and impatient by the end of that set although most of
the audience were loving it, so I shouldn’t complain. Finally, during the third
set they were joined by Van Morrison for three songs. This was the highlight of
the evening for me and rarely has Baby Please Don’t Go sounded so good. Seeing
Van play live with a top British R&B band from the 60’s gives you some idea
of what it must have been like to see Van’s band Them all those years ago. This was Set Three, I Can't Be Satisfied, Come On in My Kitchen, Baby, Please Don't Go, I
Can Tell, You Can't Judge a Book by the Cover, Come See Me, Mona, Pretty Thing,
Who Do You Love, L.S.D.
Towards the end of that set I went downstairs to see if I
could find any of my friends. There seemed to be about eight people on stage by
now including two drummers. There was a long drum solo that I really
didn’t need by now. After that the band came back for an encore. I enjoyed
Rosalyn but then decided I’d had enough and they were closing the bar so I
left. That turned out to be a big mistake because later in the pub where I met
Alan for a last drink, he told me that Van returned to sing Road Runner with
the band & Dave Gilmour. Encore, Rosalyn,
Road Runner, Loneliest Person.
When the pub closed I wandered off to find my hotel on some
desolate corner of the Greenwich peninsula and I was pleased that I made the
effort to go and see The Pretty Things take their final bow.
THE END.
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